Re-visiting the exhibition
PHYGITAL, 2022
CTRL_DAT, 2022 by Ksawery Kirklewski
Today marks the second anniversary of PHYGITAL exhibition. This event was dedicated to showcasing notable works by generative artists who create both digital and physical pieces, merging these realms to forge a unique and immersive experience.
The marketing term “phygital” was coined in 2013 to refer to the hybridity of physical and digital experiences, which was rapidly adopted in sectors like retail, entertainment, and art. It combines the tangibility of the physical with the interactivity of the digital to create captivating environments. The show bridged the history of computer art by featuring works by pioneers and contemporary artists, including Dominikus, Iskra Velitchkova, Gordon Berger, Anna Ridler, Marcelo Soria Rodriguez, Ksawery Kirklewski, Kjetil Golid, Vebjorn Isaksen, Hans Dehlinger and Harold Cohen.
The show was hosted in a dedicated web-based space to enhance online interaction with the artworks. The physicality of the code added value, incorporating texture and materiality to evoke a sensory experience.
Neural Abstractions by Mario Klingemann
Neural Abstraction #12, 2017
Neural Abstraction #8, 2017
Neural Abstraction #13, 2017
“The neural network is the brushes that I use, but in the end, it is always the feedback between me the artist, the medium and the material.” - Mario Klingemann
Mario Klingemann is an artist, whose preferred tools are neural networks, code, and algorithms. His interests are manifold and in constant evolution, involving artificial intelligence, deep learning, generative and evolutionary art, glitch art, data classification and visualization, or robotic installations. If there is one common denominator, it's his desire to understand, question, and subvert the inner workings of systems of any kind.
We present seventeen unique works from his early GANs collection Neural Abstractions, 2017. Fine art prints 50x50cm, signed by the artists, accompanied by unique digital.
anonymous_warhol-flowers by Cornelia Sollfrank
anonymous-warhol_flowers@Apr_16_16.08.26_2019, Digital Print on paper, 60 x 60cm
The “anonymous_warhol-flowers”, an integral part of the ongoing artistic research project “This Is Not By Me”, was initiated in 2004 by Cornelia Sollfrank. This project represents Sollfrank’s exploration into themes such as digital authorship, originality, copyright, and ownership. By employing the net.art generator with a focus on the iconic Warhol flowers as a case study, she examines these concepts. In this article, we delve into the creation process and background of this work, offering insights into the complexities and legal nuances of artistic expression in the digital age.
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ANONYMOUS_WARHOL-FLOWERS BY CORNELIA SOLLFRANK
The “anonymous_warhol-flowers” represents Sollfrank’s exploration into themes such as digital authorship, originality, copyright, and ownership.
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“IT’S NOT UP TO US” BY NANCY BURSON AT PHILIP K. DICK FILM FESTIVAL
We are excited to announce the screening of "It's Not Up To Us" on Saturday, April 6th at The Philip K. Dick Film Festival.
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THE ART OF DAVID YOUNG
In this article, we focus on David Young’s art from 2017 to the present and feature an exclusive interview with the artist, who shares the creative process behind his work.
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THE LAUNCH OF "ON NFTS" BY TASCHEN BOOK
We are thrilled to announce the launch of "On NFTs" presented by TASCHEN, the first art historical study on NFTs.
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À LA RECHERCHE DE VERA MOLNAR
We're excited to share that Ludwig Museum Budapest is organizing a special exhibition showcasing the work of Vera Molnár.
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INTERVIEW W/ JARED S. TARBELL
The iconic creator shares how generative art can unite computation and spirituality with Kate Vass and Alex Estorick
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