Not to miss while at home: MoMa Exhibition history online!
If you’re looking for some good art to be comfortably enjoyed while at home, you’ll definitely like the impressive variety of artworks offered by MoMa on their website: 5,050 exhibitions from 1929 to the present are available online at the following link https://www.moma.org/calendar/exhibitions/history . Here some of our favourites in the theme of digital art!
In keeping with the Museum’s long tradition of presenting animation, this is the most extensive gallery exhibition that MoMA has ever devoted to the genre. Featuring over 500 works of original art on loan for the first time from Pixar Animation Studios, the show includes paintings, concept art, sculptures, and an array of digital installations. These works reveal the intricate, hands-on processes behind Pixar’s computer-generated films—including Toy Story, A Bug’s Life, Toy Story 2, Monsters Inc., Finding Nemo, The Incredibles, Cars, and numerous shorts. The exhibition also includes a complete retrospective of Pixar films. Demonstrating the symbiotic relationship between traditional and digital media pioneered by the studio over its twenty-year history, Pixar: 20 Years of Animation is a tribute to the artists whose work has reinvented the genre.
Bob Pauley
Buzz
TOY STORY
Mixed Media
from Pixar at the Museum of Modern Art, 2005
2. Color Chart: Reinventing Color, 1950 to Today
Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign color decisions to chance, readymade source, or arbitrary system. Midway through the twentieth century, long-held convictions regarding the spiritual truth or scientific validity of particular colors gave way to an excitement about color as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol’s “I want to be a machine;” the artistry of mixing pigments was eclipsed by Frank Stella’s “Straight out of the can; it can’t get better than that.” Color Chart is the first major exhibition devoted to this pivotal transformation, featuring work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
Installation View of the exhibition ‘Color Chart: Reinventing Color, 1950 to Today’ at MoMa.
The dot-com era infused media art with a heady energy. Hackers, programmers, and tinkerer-revisionists from North America, Europe, and Asia developed a vision of art drawn from the technology of recent decades. Robotic pets, PDAs, and the virtual worlds on the Internet provoked artists to make works with user-activated components and lo-res, game-boy screens. Now that “new media” excitement has waned, an exhibition that illuminates the period is timely. Automatic Update is the first reassessment of its kind, reflecting the artists’ ambivalence to art, revealed through the ludicrous, comical, and absurd use of the latest technologies.
Installation View of the Exhibition ‘Automatic Update’ at MoMa.