VEBJØRN ISAKSEN
Oslo based generative artist, Vebjørn Isaksen, has an avid interest for computer art and algorithms. Originally a computer scientist, Vebjørn has recently found other ways of using his coding skills, namely for creating generative art.
His approach to developing algorithms that eventually generate some output, usually consists of starting with a basic technique or idea followed by a lot of trial and error until something interesting emerges. His artwork, mostly static, is often inspired by everyday observations in the natural world and usually consists of a mix between the structural digital world and the more chaotic physical one.
As a part of his artistic and learning process, Vebjørn enjoys exploring other’s art and try to understand the underlying algorithm or technique. Occasionally, he challenges himself to recreate the work with code, and sometimes, after some iterations, this can lead to new algorithms and artwork.
ARTWORKS FROM OUR ETH COLLECTION
Vebjørn Isaksen, Strata #633
SOLD OUT
OBSTACLES
NFT + Print
NFT is minted on FoundationApp (PNG 12000×18000)
https://foundation.app/@vebits/vebits/1
Unique Print signed by the artist 38×57cm
price: minimum bid 1.75ETH
OBSTACLES is a digital generative artwork and a result of an isometric study. OBSTACLES consists of an underlying isometric grid along with a placement system to place objects at certain coordinates. These objects are in this work several obstacles with different height, length and depth. They are placed side by side in diagonal lines throughout the artwork, from top to bottom.
OBSTACLES has an expression of controlled chaos. The frame around the piece can be seen as the fence around a playground where chaos is allowed. To balance the chaotic mess, a soothing palette was chosen.
The first owner/buyer has the option to receive a limited edition, artist signed, archival-quality print 1/1.
Palette is constructed by Matt DesLauriers.
“In my artworks, I like the concept of controlled chaos and this piece is no exception. The frame around the piece can be seen as the fence around a playground where chaos is allowed. A portion of the obstacles are more or less transparent which can balance the chaotic expression or make it even more chaotic. The other portion of the obstacles consist of one of twelve solid colors. Some edges of these obstacles have a chance of getting outlined to help visualise the obstacles. As chaos plays a key part in this piece, each obstacle is assigned a random color. To balance the chaotic mess, a soothing palette was chosen.
Often I view my artwork on a digital screen as it is where I develop and display most of it. However, it is not before holding a physical print of an artwork in my hands I get the full feel of it. Every line, shape, color and detail comes to life and there is truly something unique about experiencing a digital artwork on fine art paper covered with ink. For me, it is a closure to the whole digital process and printing an artwork is is something I often do to conclude a project. For OBSTACLES, it is printed in a large format to help the viewer to fully explore each obstacle as they are small in size.” - Vebjørn Isaksen